Welcome to the Billiardsbooks.com Blog. On this site, created to shed light on your billiard journey, you can find the books I have written and their different language versions. My goal is to provide a rich resource for both beginners and experienced players to improve their knowledge.
My passion for billiards, which began in 1985, has evolved over the years into a desire to master all the subtleties of this fascinating game. I started sharing this knowledge with my first book, published in 2001, and since then I have written many books in print and electronic formats.
I know that creating and presenting a system to billiards enthusiasts requires time and effort. Therefore, in each of my books, I not only explain existing systems but also offer my own original and easier-to-apply alternative Diamond systems.
My goal is to enable players of all levels to play billiards more consciously and enjoyably. That's why I prepare my books in a simple language that everyone, from a beginner to a master billiards player, can easily understand. In each book, I make sure to include systems that will bring a new perspective to the billiard table.
My billiards journey continues to produce new systems so that you, too, can enjoy this game more.

The cue in your hand is the magic wand that allows you to direct these balls. Understanding what each piece of equipment does is the first step to getting a solid start in the game. Here I would like to give you a piece of advice. If you're a billiards player, it's important to have your own cue. If you are just starting with systems, a mid-range cue will do the job. You don't need to buy a very expensive cue. As you progress in systems and games, and your shots become more balanced and flawless, you will want to change your cue. Until then, don't play with a different cue every time. If you are playing in a hall and don't want to buy a cue, you should pay attention to the tip thickness and cue weight being the same as or close to the cue you played with in previous games. The reason I'm telling you this is that for the systems to take hold in your mind and for your brain to create automatic paths, everything needs to be stable. This includes cue weight and cue power. In this way, you create a standard.
In three-cushion billiards, precision is crucial, and the foundation of this precision is correct stance and cue grip. These directly affect the consistency of your shot and the energy transferred to the ball. For a good shot, it is very important to have the correct stance and hold the cue correctly. If your foundation is solid, it will be much easier to make precise shots. You should approach the ball you are going to hit in a comfortable and balanced way. When you bend down to hit the cue ball, make sure your cue moves in a straight line, at eye level. You should spread your feet shoulder-width apart, usually with the foot on the opposite side of your hitting hand in front and the other in the back. Your body should be slightly turned towards the table, but not in a way that will disrupt your balance. Make sure your back is straight and your shoulders are relaxed. There are two basic methods for the bridge, which is the hand rest: the open bridge and the closed bridge. Since the closed bridge is mostly used in three-cushion billiards, we will only describe this method. In a closed bridge, you curl your index finger over the cue and grip the cue tightly with your thumb. This provides more control and stability but requires practice. When using your back hand to hold the cue, you should grip the cue comfortably, not too tightly or too loosely. Your wrist should be free and feel like a natural extension of the cue. During the shot, make sure only your forearm moves and your upper arm and shoulder remain stable; this increases the straightness of your shot.
In three-cushion billiards, precision is paramount, and the foundation of this precision is a correct stance and cue grip. These directly affect the consistency of your stroke and the energy transferred to the ball. A correct stance and a proper grip are very important for a good shot. If your foundation is solid, making precise shots becomes that much easier. You should approach the ball you are going to hit in a comfortable and balanced way. Before taking a shot, it's important to analyze the position and determine the locations of the balls. You need to calculate the advantages and disadvantages. You have to decide on many issues in a very short time, such as touch control, series, and which system to use. In addition, a correct stance is required to make a proper shot. In short, to score, you have to think about many factors at the same time. Don't let this scare you; after a while, you will start doing all this automatically. The explanations given below are for right-handed players. Therefore, left-handed players should consider what is described as the right hand as the left hand. What you should do for a proper shot: Place the cue vertically to the right eye during the stroke. The right hand and right upper arm are on top of the right foot. The forearm and upper arm form a 90° angle. In this way, create a target plane as follows: The cue, right eye, forearm, and upper arm, the right hand, right foot, and left hand are in a vertical plane (target plane). What is important is that the right hand and right foot are always vertical, almost on top of each other, and if possible, form a unity. The upper part of the body is bent forward. The feet should stand naturally at the corner points of the square. This way, a secure stance is obtained with the feet spread apart. The legs should be bent slightly downward without being tense. If the ball needs to go further, the right foot and right hand are moved back a little (they need to form a unity). For the ball to travel a short distance, the cue is held a little further forward and the right foot is moved closer (You can also hold the cue by the center of gravity).
LEFT HAND (BRIDGE) To have a secure and perfect cue handling, a solid bridge must be established. (For right-handed players, the left hand performs this function). It is known how important such a bridge is, as the force acting on the cue ball during the stroke also acts on the cue (action-reaction principle). If the cue cannot be held securely by the left hand, the energy that recoils during the stroke will cause the cue to slide off the ball, meaning it will miss the ball. Especially in a three-cushion game, it is very important to capture this energy. The cue can be held by the left hand to capture this energy. It cannot be done by placing the cue between the index finger and thumb or on top of these two fingers. This grip can be learned as follows: The left hand is placed flat on the billiard table, the thumb is brought towards the middle finger, and the tips of the thumb and middle finger are pressed together. The space between these two fingers should envelop the cue, but not brake it. This is called a closed bridge. It is also possible to use the cue securely between the two fingers during a shot from the cushion.
Back Hand Holding the cue too tightly or too loosely does not provide the correct speed required for the stroke. The stroke should take place from the forearm with the elbow. The forearm (forming a right angle with the upper arm) pushes the cue forward during the stroke, the wrist and hand move towards the end of the stick, and after the stroke is completed, the cue is brought back to its original position by braking. The stroke should never be made starting from the wrist. Such a stroke will be short and choppy. In addition, you can also make long-distance shots. However, this stroke makes it difficult to adjust the rate of missing and the tempo. In some shots, the wrist needs to be stiffened, and this can be achieved by holding the cue tightly. When using your back hand to grip the cue, you should hold the cue comfortably, not too tight or too loose. Your wrist should be free and feel like a natural extension of the cue. Make sure that only your forearm moves during the stroke, and that your upper arm and shoulder remain stationary; this will increase the smoothness of your stroke.
In billiards, it is not correct to use a certain stroke in every position. Each position requires a unique solution and shot. This behavior is a matter of the mind, not of any stroke technique. Although technique is very important for a successful billiard game, technique alone is not enough. The player must logically find the solution, and the stroke technique should be the element that executes it. After the position is decided, the body is correctly shaped, and the hand is placed, the cue should be swung forward once or twice (limaj/pre-stroke). This swinging (limaj) is very useful for adjusting the stroke power. During the swinging (limaj), the stroke in the position takes place mentally. The amount of swinging during the game varies from player to player; a player who believes they have found the correct stroke style after three or four swings should make the shot immediately. Exaggerated or too frequent swinging disrupts balance. Care should be taken to ensure that the swinging process carried out by the forearm and wrist is harmonic, that is, there are no interruptions during the forward and backward movement. Hitting the cue ball correctly and applying spin allows you to control the ball's trajectory on the table and complete the three-cushion. A straight shot (center shot), made by hitting the cue ball directly in the center, causes the ball to travel in a straight line. In three-cushion, this is often used for position play or simple shots. Initially, focus on center shots to improve your cue control. How hard or soft you hit the ball, i.e., the speed of the stroke, affects how far the ball will travel, how it will rebound from the cushions, and how long the spin effect will last. The most commonly used stroke in billiards is the "long or extended stroke." This stroke occurs when the cue exhibits a natural flow forward as if it passes through the ball at the moment of impact. In short, the practice is not to stop the cue after making contact with the ball, but to push the ball forward.
English, also called "spin," describes the rotational motion of the ball. If the ball is hit off-center, in addition to its forward movement, it also gains a sideways rotational movement (spin movement). If the spin supports the intended direction of the cue ball, it is called "running english." If it proceeds in a direction opposite to the ball's direction of travel, it is called "reverse english." These spins determine the ball's natural direction to the right and left. The cue ball cannot change the spin applied to it. Of course, it is impossible to suddenly create a left spin from a right spin. However, the game ball may lose its spin towards the end, but it can gain a new (non-existent) spin by touching a cushion. By hitting the cue ball to the right, left, top, or bottom of its center, you apply side spin (english) which changes the ball's direction and rotation after it rebounds from the cushions or hits other balls. Three-cushion billiards is the heart of spin. Side english, obtained by hitting the cue ball to the right or left, allows the ball to rebound from the cushions at different angles. Top english makes the ball roll forward and move forward after hitting the object ball. Bottom english makes the ball roll backward and come back after hitting the object ball. English is the foundation of three-cushion billiards but also the part that requires the most practice.
Straight Shot (Center Shot) Hitting the cue ball right in the center makes the ball travel in a straight line. Initially, focus only on center shots. Stroke Speed How hard or soft you hit the ball affects how far the ball will travel and how it will rebound from the cushions. Initially, make medium-speed shots that move the balls comfortably. Side English Hitting the cue ball to the right or left allows the ball to rebound from the cushions at different angles. Top English: Hitting the top of the cue ball makes the ball roll forward and move forward after hitting the object ball. Bottom English Hitting the bottom of the cue ball makes the ball roll backward and come back after hitting the object ball.

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